Sergey Ponomarev for the
New York Times, 2014.
The first protest that gained a mass
amount of following and support thanks to the Internet was the
protest in Egypt in 2012, and now in 2014, the Internet is serving as
a platform for spreading the mission of protestors in Kiev, Ukraine.
Ukrainians have realized that to gain support for their cause, it is
vital to show what is happening in their country. Sergey Ponomarev
has created an image that is impactful, and successfully makes
viewers want to reach out and support.
Riots began in the Ukraine because of
the corrupt government’s last minute decision to create closer ties
to Russia instead of joining the European Union (which would have
made for new opportunities for modernization and economic growth).
This protest in Keiv had quickly become one of the most violent in
history, with more than 100 protestors dead. Ponomarev’s photograph
is a powerful image because she puts her subject (the protestor) in
context with what they are doing. In the foreground of her image
there is a man using the typical riot police gear to protect himself
from billowing clouds of smoke lit up with fire, midway rubble can be
seen, and in the background (just sharp enough to distinguish) we see
more protestors gathering behind the smoke. These elements, paired
with the diagonal composition which is made up by the protestors
taking up 30 percent of the image, and the smoke taking up 70 percent
of the image, shows the protestor for who they really are, simply
people.
The greatest element in this
photograph is the expression of the protestor in the riot police
gear. He is not showing the traditional soldier grit that is commonly
photographed, instead the protestor looks to be more scared, or
stunned by the violence. His expression reveals that he is not a
trained soldier or police officer, but a Ukrainian citizen who took
up arms to fight for the good of his country, even though that means
fighting a trained riot police.
Ponomarev’s photograph can stand
alone to make a point for what is happening in the Ukraine, but would
also benefit from being in a series that showed the other aspects of
the protest. The photographer does successfully make viewers want to
learn more about the protest, and portrays the protestors with
justice. Personally, the photograph has made and impact on me in
reference to the riots, and Ponomarev’s skills as a photographer
have also impacted my views on composition.
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